OUT OF DC COMICS AND WARNER BRO'S.
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Current OFFICIAL News
LIVE-ACTION FILMS:
1.GREEN LANTERN - June 17, 2011
2.BATMAN 3 - July 20, 2012
3.THE MAN OF STEEL - Christmas 2012
4.The Flash (early stages)
5.Wonder Woman (early stages)
6.SHAZAM! - (early stages)
Hero Complex
LA TIMES - Geoff Boucher
This is a longer version of my story that is on the Wednesday cover of the Los Angeles Times Calendar section...
The topic at the Batcave on Monday night was the future of that other superhero — you know, the one from Metropolis. “It’s very exciting; we have a fantastic story,” Christopher Nolan said while sipping tea in the sleek editing suite that fills the converted garage next to his Hollywood home. “And we feel we can do it right. We know the milieu, if you will, we know the genre and how to get it done right.”
Nolan was standing next to his wife, producer Emma Thomas, his partner in all of his films — including “Batman Begins” and “The Dark Knight,” the grim franchise that pulled in more than $1.3 billion at theaters worldwide — and he was explaining their plan to take on a challenge that has frustrated Hollywood for two decades: getting another Superman film franchise off the ground.
Nolan, speaking about the Superman project for the first time, is pleased with the excitement stirred but, like the magicians in his 2006 film “The Prestige,” sees no value in revealing all of his tricks before the curtain goes up. Still, he wanted to answer some of the early questions about his plans for Superman — as well as his third visit to Gotham City.
There was a spasm of fan excitement when word leaked last month that Nolan, who is now viewed as the Hitchcock of superhero cinema after his two Batman films, would be the “godfather” for a reboot of the Man of Steel, acting as producer and mentor to an as-yet-unnamed-director who will be making a movie based on a story by Nolan and frequent collaborator David S. Goyer.
The Internet flurry included reports that, according to Thomas, might be better described as fan fiction. The dispatches revealing that the film will be called “Man of Steel”? And feature Lex Luthor and Brainiac? Or the one about it being a period piece with something like a low-fi version of the hero?
“I don’t know where this stuff comes from,” Thomas said with a chuckle, although, as with any good poker player, it’s hard to say where the bluff starts and ends.
This much is certain: The couple are completely focused on the movie-of-the-moment, which is “Inception,” which opens July 16 and stars Leonardo DiCaprio as a dream thief of sorts in what may be Hollywood’s first metaphysical heist film. The movie is the most complicated undertaking of Nolan’s career — it was shot in six countries and tells a tale that flips between reality and three levels of dream-time — and, well, all things considered, he’d rather Superman stay in his Fortress of Solitude and off the front page for a while longer since that project is a matter for 2012 or 2013 at best.
But of course Superman, first superhero of them all, is an American pop culture icon on a par with Mickey Mouse and Elvis. But after the close of the Christopher Reeve era with “Superman IV: The Quest for Peace” in 1987, the property became one of the most frustrating in Hollywood. A dozen different reboots were started through the years with names attached such as Nicolas Cage, Kevin Smith, J.J. Abrams, McG and Brett Ratner, and plans were trotted out to kill Superman, strip him of his powers or pit him in battle against Batman.
Finally, director Bryan Singer, who had earned credibility with comic book fans with his two “X-Men” films for Fox, delivered with “Superman Returns” in 2006 starring Brandon Routh. But the finished product was viewed as oddly lifeless by many critics. The $200-million film finished its theatrical run with a respectable $391 million worldwide but it wasn’t heroic enough to earn a sequel.
Nolan said that he admired Singer’s film, especially the way it connected to director Richard Donner’s version of Superman and the first two movies starring Reeve. Nolan added, though, that this new movie will stand on its own.
“A lot of people have approached Superman in a lot of different ways. I only know the way that has worked for us that’s what I know how to do,” Nolan said, emphasizing the idea that Batman exists in a world where he is the only superhero and a similar approach to the Man of Steel would assure the integrity needed for the film. “Each serves to the internal logic of the story. They have nothing to do with each other.”
Still, it was a frustrating moment in the Batman franchise that led to this new Superman revival. Nolan and Goyer, a key collaborator on both Batman films, were at a story impasse on the third Batman film (which is now picking up steam as well) when, as a distraction, Goyer gave the filmmaker a daydream version of how he would tackle a story about the last son of Krypton.
“He basically told me, ‘I have this thought about how you would approach Superman,’” Nolan recalled. “I immediately got it, loved it and thought: That is a way of approaching the story I’ve never seen before that makes it incredibly exciting. I wanted to get Emma and I involved in shepherding the project right away and getting it to the studio and getting it going in an exciting way.”
Goyer is now writing the screenplay and Nolan is keeping it close to the vest.
It’s interesting where inspirations originate. Nolan put together an especially deep cast for his Batman films — the first one, for instance, featured Morgan Freeman, Liam Neeson, Gary Oldman and Tom Wilkinson in supporting roles. That, he said, was an idea imported from Metropolis.
“I went to the studio with the analogy of ‘I want to cast the way they did in 1978 with 'Superman,”’ where they had [Marlon] Brando and Glenn Ford and Ned Beatty and all these fantastic actors in even small parts, which was an exotic idea for a superhero movie at the time. It really paid off too. As a kid watching ‘Superman,’ it seemed enormous and I realized later by looking at it that a lot of that was actually the casting, just having these incredibly talented people and these characterizations. And Marlon Brando is the first guy up playing Superman’s dad. It’s incredible.”
Superman, created by Jerry Siegel and Joe Shuster, was an instant success when he arrived on the publishing scene in June 1938 and he more or less created the American comic book and its signature concept, the superhero. Superman made the leap to radio in 1940 and then to the silver screen in 1948 when Kirk Alyn became the first of many actors to wear the cape. George Reeves was the face of Superman on television for 104 episodes in the 1950s while Reeve and his work in the 1970s and 1980s may be the definitive version of the hero for most fans. But the youngest fans have a view of the hero shaped more by the award-winning animated series in recent years and “Smallville,” the CW series that just got re-upped for a 10th season, making star Tom Welling the Clark Kent with the longest tenure.
Nolan, for the record, also won’t confirm that he is actually directing the third Batman film, but, well, of course he is -- however “Inception” isn’t in the can yet and it’s against his code. He can’t be easily tricked, either. Asked if Superman as a franchise has to overcome a deficiency of truly great villains, unlike, say, Spider-Man and Batman, he won’t bite. “That’s a very sly way of asking a question I’m not going to answer.”
Nolan says he has no idea who will direct the Superman film (there has been conjecture that it may be his brother and frequent collaborator, Jonathan Nolan) but his role appears to be comparable to Peter Jackson with “District 9,” which was directed by newcomer Neill Blomkamp but benefited greatly from imprimatur of “The Lord of the Rings” auteur. Jackson is also stepping into a similar role in Middle-earth as Guillermo del Toro takes over as director for “The Hobbit” films.
Nolan established himself as a bold and cerebral filmmaker in 2000 with “Memento,” has made a specialty of rooting stories of the fantastic in a gritty reality with psychological undertones and an emphasis on using practical effects and stunt work as opposed to the magical paintbrushes of the CG era. All of that made him an ideal filmmaker for fight-time in the brutal gutters of Gotham but it doesn’t make the filmmaker the first obvious choice for flight-time amid the gleaming citadels of Metropolis. Warner Bros. executives seem confident that he is -- and they need him to be the right man with the "Harry Potter" franchise -- and perhaps Batman -- nearing an expiration date.
Sitting in his edit bay, which is decorated with posters of Ledger as the Joker and has a skylight that rolls shut with mechanical screeching that adds to the Batcave ambiance, Nolan said he knows about storytelling and it’s difficult to dissect his work beyond that.
“We’re approaching it in a not dissimilar way in terms of trying to find an incredible story in a way that audiences can engage with it the way they engage with contemporary action films,” Nolan continued. “I think David’s approach is a very good way of doing just that.”
And that third Batman film? Jonathan Nolan is “now doing the hard work” of writing the script based on the story by his sibling and Goyer. “My brother is writing a script for me and we’ll wait to see how it turns out.... He’s struggling to put it together into the epic story that you want it to be.”
“Batman Begins” was the origin and back story of the hero, while “The Dark Knight” found the hero reeling as his Manichean, good vs. evil worldview was upended by a new villain, the Joker, who was a wild-card agent of chaos going up against order, be it a police department or the mob. The second film ends, literally, with Batman on the run, a fugitive.
So what happens next?
“Without getting into specifics, the key thing that makes the third film a great possibility for us is that we want to finish our story,” he said. “And in viewing it as the finishing of a story rather than infinitely blowing up the balloon and expanding the story.”
Nolan said the key surviving characters from the two first films and the actors who play them will be back. “We have a great ensemble, that’s one of the attractions of doing another film, since we’ve been having a great time for years.”
Perhaps. But the great challenge is to find a villain (or villains) who can not only match up with the Caped Crusader but also with Heath Ledger’s Academy Award-winning portrayal of the scabby, demented Joker. Fans have churned up the rumor mill for months now (Johnny Depp as the Riddler? Angelina Jolie as Catwoman? Philip Seymour Hoffman as the Penguin? Ben Kingsley as Hugo Strange?). But Nolan, no fan of letting cats out of the bag, declined to play along.
His villain choices to date have steered clear of strongly supernatural or super-science characters (no Man-Bat, Mr. Freeze or Poison Ivy, for instance) but he shook his head when asked if that was a trajectory he would continue. He did however concede one tidbit: “It won’t be," he said, "Mr. Freeze.”
Batman has been throwing punches in the pages of DC Comics since 1939 and as the decades passed, much of the core of the character stayed the same even as Bruce Wayne’s sideburns or the profile of the Batmobile changed. Not so with film.
“I’m very excited about the end of the film, the conclusion, and what we’ve done with the characters,” Nolan said.“My brother has come up with some pretty exciting stuff. Unlike the comics, these things don’t go on forever in film and viewing it as a story with an end is useful. Viewing it as an ending, that sets you very much on the right track about the appropriate conclusion and the essence of what tale we’re telling. And it harkens back to that priority of trying to find the reality in these fantastic stories. That’s what we do."
Current OFFICIAL News
LIVE-ACTION FILMS:
1.GREEN LANTERN - June 17, 2011
2.BATMAN 3 - July 20, 2012
3.THE MAN OF STEEL - Christmas 2012
4.The Flash (early stages)
5.Wonder Woman (early stages)
6.SHAZAM! - (early stages)
Hero Complex
LA TIMES - Geoff Boucher
This is a longer version of my story that is on the Wednesday cover of the Los Angeles Times Calendar section...
The topic at the Batcave on Monday night was the future of that other superhero — you know, the one from Metropolis. “It’s very exciting; we have a fantastic story,” Christopher Nolan said while sipping tea in the sleek editing suite that fills the converted garage next to his Hollywood home. “And we feel we can do it right. We know the milieu, if you will, we know the genre and how to get it done right.”
Nolan was standing next to his wife, producer Emma Thomas, his partner in all of his films — including “Batman Begins” and “The Dark Knight,” the grim franchise that pulled in more than $1.3 billion at theaters worldwide — and he was explaining their plan to take on a challenge that has frustrated Hollywood for two decades: getting another Superman film franchise off the ground.
Nolan, speaking about the Superman project for the first time, is pleased with the excitement stirred but, like the magicians in his 2006 film “The Prestige,” sees no value in revealing all of his tricks before the curtain goes up. Still, he wanted to answer some of the early questions about his plans for Superman — as well as his third visit to Gotham City.
There was a spasm of fan excitement when word leaked last month that Nolan, who is now viewed as the Hitchcock of superhero cinema after his two Batman films, would be the “godfather” for a reboot of the Man of Steel, acting as producer and mentor to an as-yet-unnamed-director who will be making a movie based on a story by Nolan and frequent collaborator David S. Goyer.
The Internet flurry included reports that, according to Thomas, might be better described as fan fiction. The dispatches revealing that the film will be called “Man of Steel”? And feature Lex Luthor and Brainiac? Or the one about it being a period piece with something like a low-fi version of the hero?
“I don’t know where this stuff comes from,” Thomas said with a chuckle, although, as with any good poker player, it’s hard to say where the bluff starts and ends.
This much is certain: The couple are completely focused on the movie-of-the-moment, which is “Inception,” which opens July 16 and stars Leonardo DiCaprio as a dream thief of sorts in what may be Hollywood’s first metaphysical heist film. The movie is the most complicated undertaking of Nolan’s career — it was shot in six countries and tells a tale that flips between reality and three levels of dream-time — and, well, all things considered, he’d rather Superman stay in his Fortress of Solitude and off the front page for a while longer since that project is a matter for 2012 or 2013 at best.
But of course Superman, first superhero of them all, is an American pop culture icon on a par with Mickey Mouse and Elvis. But after the close of the Christopher Reeve era with “Superman IV: The Quest for Peace” in 1987, the property became one of the most frustrating in Hollywood. A dozen different reboots were started through the years with names attached such as Nicolas Cage, Kevin Smith, J.J. Abrams, McG and Brett Ratner, and plans were trotted out to kill Superman, strip him of his powers or pit him in battle against Batman.
Finally, director Bryan Singer, who had earned credibility with comic book fans with his two “X-Men” films for Fox, delivered with “Superman Returns” in 2006 starring Brandon Routh. But the finished product was viewed as oddly lifeless by many critics. The $200-million film finished its theatrical run with a respectable $391 million worldwide but it wasn’t heroic enough to earn a sequel.
Nolan said that he admired Singer’s film, especially the way it connected to director Richard Donner’s version of Superman and the first two movies starring Reeve. Nolan added, though, that this new movie will stand on its own.
“A lot of people have approached Superman in a lot of different ways. I only know the way that has worked for us that’s what I know how to do,” Nolan said, emphasizing the idea that Batman exists in a world where he is the only superhero and a similar approach to the Man of Steel would assure the integrity needed for the film. “Each serves to the internal logic of the story. They have nothing to do with each other.”
Still, it was a frustrating moment in the Batman franchise that led to this new Superman revival. Nolan and Goyer, a key collaborator on both Batman films, were at a story impasse on the third Batman film (which is now picking up steam as well) when, as a distraction, Goyer gave the filmmaker a daydream version of how he would tackle a story about the last son of Krypton.
“He basically told me, ‘I have this thought about how you would approach Superman,’” Nolan recalled. “I immediately got it, loved it and thought: That is a way of approaching the story I’ve never seen before that makes it incredibly exciting. I wanted to get Emma and I involved in shepherding the project right away and getting it to the studio and getting it going in an exciting way.”
Goyer is now writing the screenplay and Nolan is keeping it close to the vest.
It’s interesting where inspirations originate. Nolan put together an especially deep cast for his Batman films — the first one, for instance, featured Morgan Freeman, Liam Neeson, Gary Oldman and Tom Wilkinson in supporting roles. That, he said, was an idea imported from Metropolis.
“I went to the studio with the analogy of ‘I want to cast the way they did in 1978 with 'Superman,”’ where they had [Marlon] Brando and Glenn Ford and Ned Beatty and all these fantastic actors in even small parts, which was an exotic idea for a superhero movie at the time. It really paid off too. As a kid watching ‘Superman,’ it seemed enormous and I realized later by looking at it that a lot of that was actually the casting, just having these incredibly talented people and these characterizations. And Marlon Brando is the first guy up playing Superman’s dad. It’s incredible.”
Superman, created by Jerry Siegel and Joe Shuster, was an instant success when he arrived on the publishing scene in June 1938 and he more or less created the American comic book and its signature concept, the superhero. Superman made the leap to radio in 1940 and then to the silver screen in 1948 when Kirk Alyn became the first of many actors to wear the cape. George Reeves was the face of Superman on television for 104 episodes in the 1950s while Reeve and his work in the 1970s and 1980s may be the definitive version of the hero for most fans. But the youngest fans have a view of the hero shaped more by the award-winning animated series in recent years and “Smallville,” the CW series that just got re-upped for a 10th season, making star Tom Welling the Clark Kent with the longest tenure.
Nolan, for the record, also won’t confirm that he is actually directing the third Batman film, but, well, of course he is -- however “Inception” isn’t in the can yet and it’s against his code. He can’t be easily tricked, either. Asked if Superman as a franchise has to overcome a deficiency of truly great villains, unlike, say, Spider-Man and Batman, he won’t bite. “That’s a very sly way of asking a question I’m not going to answer.”
Nolan says he has no idea who will direct the Superman film (there has been conjecture that it may be his brother and frequent collaborator, Jonathan Nolan) but his role appears to be comparable to Peter Jackson with “District 9,” which was directed by newcomer Neill Blomkamp but benefited greatly from imprimatur of “The Lord of the Rings” auteur. Jackson is also stepping into a similar role in Middle-earth as Guillermo del Toro takes over as director for “The Hobbit” films.
Nolan established himself as a bold and cerebral filmmaker in 2000 with “Memento,” has made a specialty of rooting stories of the fantastic in a gritty reality with psychological undertones and an emphasis on using practical effects and stunt work as opposed to the magical paintbrushes of the CG era. All of that made him an ideal filmmaker for fight-time in the brutal gutters of Gotham but it doesn’t make the filmmaker the first obvious choice for flight-time amid the gleaming citadels of Metropolis. Warner Bros. executives seem confident that he is -- and they need him to be the right man with the "Harry Potter" franchise -- and perhaps Batman -- nearing an expiration date.
Sitting in his edit bay, which is decorated with posters of Ledger as the Joker and has a skylight that rolls shut with mechanical screeching that adds to the Batcave ambiance, Nolan said he knows about storytelling and it’s difficult to dissect his work beyond that.
“We’re approaching it in a not dissimilar way in terms of trying to find an incredible story in a way that audiences can engage with it the way they engage with contemporary action films,” Nolan continued. “I think David’s approach is a very good way of doing just that.”
And that third Batman film? Jonathan Nolan is “now doing the hard work” of writing the script based on the story by his sibling and Goyer. “My brother is writing a script for me and we’ll wait to see how it turns out.... He’s struggling to put it together into the epic story that you want it to be.”
“Batman Begins” was the origin and back story of the hero, while “The Dark Knight” found the hero reeling as his Manichean, good vs. evil worldview was upended by a new villain, the Joker, who was a wild-card agent of chaos going up against order, be it a police department or the mob. The second film ends, literally, with Batman on the run, a fugitive.
So what happens next?
“Without getting into specifics, the key thing that makes the third film a great possibility for us is that we want to finish our story,” he said. “And in viewing it as the finishing of a story rather than infinitely blowing up the balloon and expanding the story.”
Nolan said the key surviving characters from the two first films and the actors who play them will be back. “We have a great ensemble, that’s one of the attractions of doing another film, since we’ve been having a great time for years.”
Perhaps. But the great challenge is to find a villain (or villains) who can not only match up with the Caped Crusader but also with Heath Ledger’s Academy Award-winning portrayal of the scabby, demented Joker. Fans have churned up the rumor mill for months now (Johnny Depp as the Riddler? Angelina Jolie as Catwoman? Philip Seymour Hoffman as the Penguin? Ben Kingsley as Hugo Strange?). But Nolan, no fan of letting cats out of the bag, declined to play along.
His villain choices to date have steered clear of strongly supernatural or super-science characters (no Man-Bat, Mr. Freeze or Poison Ivy, for instance) but he shook his head when asked if that was a trajectory he would continue. He did however concede one tidbit: “It won’t be," he said, "Mr. Freeze.”
Batman has been throwing punches in the pages of DC Comics since 1939 and as the decades passed, much of the core of the character stayed the same even as Bruce Wayne’s sideburns or the profile of the Batmobile changed. Not so with film.
“I’m very excited about the end of the film, the conclusion, and what we’ve done with the characters,” Nolan said.“My brother has come up with some pretty exciting stuff. Unlike the comics, these things don’t go on forever in film and viewing it as a story with an end is useful. Viewing it as an ending, that sets you very much on the right track about the appropriate conclusion and the essence of what tale we’re telling. And it harkens back to that priority of trying to find the reality in these fantastic stories. That’s what we do."
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Replied by MEMO1DOMINION on topic Re:OUT OF DC COMICS AND WARNER BRO'S.
INITIAL ANNOUNCEMENT
DC and Warner Bros are serious about film projects.
Warner Bros. Entertainment Inc. (WBEI) has created DC Entertainment Inc., a new company founded to fully realize the power and value of the DC Comics brand and characters across all media and platforms, to be run by Diane Nelson, it was announced today by Barry Meyer, Chairman & CEO, and Alan Horn, President & COO, Warner Bros.
DC Entertainment, a separate division of WBEI, will be charged with strategically integrating the DC Comics business, brand and characters deeply into Warner Bros. Entertainment and all its content and distribution businesses. DC Entertainment, which will work with each of the Warner Bros. divisions, will also tap into the tremendous expertise the Studio has in building and sustaining franchises and prioritize DC properties as key titles and growth drivers across all of the Studio, including feature films, television, interactive entertainment, direct-to-consumer platforms and consumer products. The DC Comics publishing business will remain the cornerstone of DC Entertainment, releasing approximately 90 comic books through its various imprints and 30 graphic novels a month and continuing to build on its creative leadership in the comic book industry.
In her new role, Nelson will report to Jeff Robinov, President, Warner Bros. Pictures Group, in order to best capitalize on DC Entertainment's theatrical development and production activities and their importance to drive its overall business with each of the divisions of Warner Bros. Nelson will bring her expertise and more than 20 years' experience in creative brand management, strategic marketing and content development and production to ensuring DC Entertainment's dual mission of marshalling Warner Bros.' resources to maximize the potential of the DC brand while remaining respectful of and collaborative with creators, talent, fans and source material. Additionally, Nelson will continue to oversee the franchise management of the Harry Potter property, which she has done since 2000, and also continue to represent the Studio's interests with the author of the Harry Potter books, J.K. Rowling. Nelson will segue from her post as President, Warner Premiere but maintain oversight responsibilities of that division. (An executive succession plan for Warner Premiere will be announced shortly.)
Paul Levitz, who has served as President & Publisher of DC Comics since 2002, will segue from that role to return to his roots as a writer for DC and become a contributing editor and overall consultant to DCE. This transition will take place as expeditiously as possible without disrupting DC's business operations.In his new role, Levitz will be called upon for his deep knowledge and more than three-decade history with DC Comics, both as a comic creator and an executive. Besides serving as a writer on a number of DC Comics titles, he will be a contributing editor and consultant to DC Entertainment on projects in various media. Additionally, he will consult as needed on the transition and integration of the DC Comics organization into DC Entertainment and will utilize his unique experience, knowledge and relationships with the comics industry's creative community to help achieve DC Entertainment's goal of maximizing the value of DC properties. Further, Levitz will advise DC Entertainment on creative and rights-holder relationships, in particular regarding the legacy relationships that have been a part of DC Comics for decades.
Widely recognized and respected for his support of writers, artists and creators in the comics industry, Levitz is best known creatively for his work with DC Comics, having written most of the classic DC characters, including Batman, Wonder Woman and the Superman newspaper strip. At Comicon International in 2008, Levitz was awarded the Bob Clampett Humanitarian Award as part of the Will Eisner Comic Industry Awards, the only industry executive ever so honored. "DC Comics and its super hero characters are truly touchstones of popular culture, and the formation of DC Entertainment is a major step in our company's efforts to realize the full potential of this incredible wellspring of creative properties," said Meyer. "Diane knows our studio as a creative executive, a marketer and a senior manager, and this varied background will help her effectively and creatively integrate the DC brand and properties across all our businesses. We're also thrilled that Paul will remain involved with DC and we'll be able to tap his expertise to help us reach our goals for this new business."
"It's no secret that DC has myriad rich and untapped possibilities from its deep library of iconic and lesser-known characters," said Horn. "While we've had great success in films and television, the formation of DC Entertainment will help us to bring more DC properties across additional platforms to fans around the world, while maintaining brand integrity and authenticity. Diane is a terrific choice to lead DC Entertainment, and with Paul in his new role as a valued consultant and contributing editor, both our company and comic fans win." "Based on the great success we've had working with DC Comics to create some of the most popular and successful super hero films of all time, I've long believed that there was much more we could do across all of Warner Bros.' businesses with this great body of characters and stories," said Robinov. "The prioritization of DC and the creation of DC Entertainment is a great opportunity that reaches far beyond the film group. There are endless creative possibilities to build upon the many significant successes already achieved by my colleagues Kevin Tsujihara and the Home Entertainment Group in the videogame, home video and direct-to-platform arenas and Bruce Rosenblum and the Television Group in live-action, animated and digital series. Collectively, we have the ability to grow a body of properties highlighting the iconic characters and the diversity of the creative output of DC Comics."
"The founding of DC Entertainment fully recognizes our desire to provide both the DC properties and fans the type of content that is only possible through a concerted cross-company, multi-platform effort," said Nelson. "DC Entertainment will help us to formally take the great working relationships between DC Comics and various Warner Bros. businesses to the next level in order to maximize every opportunity to bring DC's unrivalled collection of titles and characters to life." "After so many roles at DC, it's exciting to look forward to focusing on my writing and being able to remain a part of the company I love as it grows into its next stage," said Levitz. "It's a new golden age for comics and DC's great characters, and I hope my new position will allow me to contribute to that magic time."
DC Comics will celebrate its 75th anniversary in 2010 (NEW FUN COMICS #1, the first DC comic, began publishing in 1935), at which time more explicit details regarding DC Entertainment's corporate and management structure, film and content release slate, creative roster and business objectives will be unveiled at a multi-faceted anniversary celebration and press conference in the first quarter of the year.
Current DC properties in development and/or production at Warner Bros. Entertainment include: -- "Human Target" is being produced by Warner Bros. Television for a mid-season debut on Fox.
-- "Midnight Mass" is in series development at Warner Bros. Television for consideration for the 2010-11 season.
-- "Jonah Hex," Warner Bros. Pictures' supernatural Western starring Josh Brolin, Megan Fox and John Malkovich, recently wrapped production in Louisiana.
-- "The Losers," Dark Castle/Warner Bros. Pictures' action-adventure drama starring Jeffrey Dean Morgan, Zoe Saldana and Chris Evans, began principal photography mid-July in Puerto Rico.
-- "The Green Lantern," Warner Bros. Pictures' next big superhero tentpole release, recently cast Ryan Reynolds as the titular character. The film has a projected second quarter 2011 release date.
-- "Lobo," based on the DC Comics anti-hero, has Guy Ritchie attached as a director; Joel Silver, Akiva Goldsman and Andrew Rona are producing for Silver Pictures and Warner Bros. Pictures.
-- Warner Premiere's direct-to-platform DVD animated release of "Green Lantern: First Flight" debuted July 28.
-- Warner Bros. Animation currently produces "Batman: The Brave and the Bold," which airs on Cartoon Network.
-- Warner Bros. Interactive Entertainment released "Batman: Arkham Asylum" on August 25, a dark, action packed videogame adventure for Xbox 360 videogame and entertainment system, PlayStation3 computer entertainment system and Games for Windows.
Prior to being named President, DC Entertainment, Nelson most recently served as President, Warner Premiere since its founding in 2006. Warner Premiere is a Studio-based production company which develops and produces high-quality, direct-to-DVD and short-form digital content, including the highly successful line of DC Universe animated DVD titles, and also pioneered the development of the motion comics category. Under Nelson's leadership, Warner Premiere functions as a full-service production entity with its own resources and release schedule, furthering the Studio's mandate of being a destination for both established and up-and-coming talent to create stand-alone properties as well as experiment in new media.
Before that, Nelson served as Executive Vice President, Global Brand Management, Warner Bros. Entertainment, with the primary responsibility of working cross-divisionally and throughout Time Warner to maximize and optimize all the various windows and outlets available to the Studio's signature franchises, brands and event properties on a global basis. In this post, Nelson's primary focus was the management of the Harry Potter brand, which she has overseen since the brand's launch at the Studio in 1999. These efforts have helped drive the success of the brand to become the most successful film franchise of all time, as well as a respected consumer property that has generated billions of dollars for the Studio. At Global Brand Management, Nelson and her team of more than 15 employees worked in all media and platforms to support a number of other key franchise properties, including "The Matrix Reloaded," "The Matrix Revolutions," "Batman Begins," "The Dark Knight," "Happy Feet," "Polar Express" and "Charlie and the Chocolate Factory," among others. Prior to overseeing Global Brand Management, Nelson had served as Executive Vice President, Domestic Marketing, Warner Bros. Pictures. Nelson rose quickly through the ranks, having also served as Senior Vice President, Domestic Marketing, Warner Bros. Pictures and prior to that, Senior Vice President, Family Entertainment, Warner Bros. Corporate Worldwide Marketing and Planning. She was also Vice President, Worldwide Corporate Promotions, a post to which she was promoted in March 1998, after joining the Studio in September 1996 as Director of Worldwide Corporate Promotions. Nelson came to the Studio from Walt Disney Records, where she served as Director of National Promotions. She is a graduate of Syracuse University's Newhouse School of Communications.
DC and Warner Bros are serious about film projects.
Warner Bros. Entertainment Inc. (WBEI) has created DC Entertainment Inc., a new company founded to fully realize the power and value of the DC Comics brand and characters across all media and platforms, to be run by Diane Nelson, it was announced today by Barry Meyer, Chairman & CEO, and Alan Horn, President & COO, Warner Bros.
DC Entertainment, a separate division of WBEI, will be charged with strategically integrating the DC Comics business, brand and characters deeply into Warner Bros. Entertainment and all its content and distribution businesses. DC Entertainment, which will work with each of the Warner Bros. divisions, will also tap into the tremendous expertise the Studio has in building and sustaining franchises and prioritize DC properties as key titles and growth drivers across all of the Studio, including feature films, television, interactive entertainment, direct-to-consumer platforms and consumer products. The DC Comics publishing business will remain the cornerstone of DC Entertainment, releasing approximately 90 comic books through its various imprints and 30 graphic novels a month and continuing to build on its creative leadership in the comic book industry.
In her new role, Nelson will report to Jeff Robinov, President, Warner Bros. Pictures Group, in order to best capitalize on DC Entertainment's theatrical development and production activities and their importance to drive its overall business with each of the divisions of Warner Bros. Nelson will bring her expertise and more than 20 years' experience in creative brand management, strategic marketing and content development and production to ensuring DC Entertainment's dual mission of marshalling Warner Bros.' resources to maximize the potential of the DC brand while remaining respectful of and collaborative with creators, talent, fans and source material. Additionally, Nelson will continue to oversee the franchise management of the Harry Potter property, which she has done since 2000, and also continue to represent the Studio's interests with the author of the Harry Potter books, J.K. Rowling. Nelson will segue from her post as President, Warner Premiere but maintain oversight responsibilities of that division. (An executive succession plan for Warner Premiere will be announced shortly.)
Paul Levitz, who has served as President & Publisher of DC Comics since 2002, will segue from that role to return to his roots as a writer for DC and become a contributing editor and overall consultant to DCE. This transition will take place as expeditiously as possible without disrupting DC's business operations.In his new role, Levitz will be called upon for his deep knowledge and more than three-decade history with DC Comics, both as a comic creator and an executive. Besides serving as a writer on a number of DC Comics titles, he will be a contributing editor and consultant to DC Entertainment on projects in various media. Additionally, he will consult as needed on the transition and integration of the DC Comics organization into DC Entertainment and will utilize his unique experience, knowledge and relationships with the comics industry's creative community to help achieve DC Entertainment's goal of maximizing the value of DC properties. Further, Levitz will advise DC Entertainment on creative and rights-holder relationships, in particular regarding the legacy relationships that have been a part of DC Comics for decades.
Widely recognized and respected for his support of writers, artists and creators in the comics industry, Levitz is best known creatively for his work with DC Comics, having written most of the classic DC characters, including Batman, Wonder Woman and the Superman newspaper strip. At Comicon International in 2008, Levitz was awarded the Bob Clampett Humanitarian Award as part of the Will Eisner Comic Industry Awards, the only industry executive ever so honored. "DC Comics and its super hero characters are truly touchstones of popular culture, and the formation of DC Entertainment is a major step in our company's efforts to realize the full potential of this incredible wellspring of creative properties," said Meyer. "Diane knows our studio as a creative executive, a marketer and a senior manager, and this varied background will help her effectively and creatively integrate the DC brand and properties across all our businesses. We're also thrilled that Paul will remain involved with DC and we'll be able to tap his expertise to help us reach our goals for this new business."
"It's no secret that DC has myriad rich and untapped possibilities from its deep library of iconic and lesser-known characters," said Horn. "While we've had great success in films and television, the formation of DC Entertainment will help us to bring more DC properties across additional platforms to fans around the world, while maintaining brand integrity and authenticity. Diane is a terrific choice to lead DC Entertainment, and with Paul in his new role as a valued consultant and contributing editor, both our company and comic fans win." "Based on the great success we've had working with DC Comics to create some of the most popular and successful super hero films of all time, I've long believed that there was much more we could do across all of Warner Bros.' businesses with this great body of characters and stories," said Robinov. "The prioritization of DC and the creation of DC Entertainment is a great opportunity that reaches far beyond the film group. There are endless creative possibilities to build upon the many significant successes already achieved by my colleagues Kevin Tsujihara and the Home Entertainment Group in the videogame, home video and direct-to-platform arenas and Bruce Rosenblum and the Television Group in live-action, animated and digital series. Collectively, we have the ability to grow a body of properties highlighting the iconic characters and the diversity of the creative output of DC Comics."
"The founding of DC Entertainment fully recognizes our desire to provide both the DC properties and fans the type of content that is only possible through a concerted cross-company, multi-platform effort," said Nelson. "DC Entertainment will help us to formally take the great working relationships between DC Comics and various Warner Bros. businesses to the next level in order to maximize every opportunity to bring DC's unrivalled collection of titles and characters to life." "After so many roles at DC, it's exciting to look forward to focusing on my writing and being able to remain a part of the company I love as it grows into its next stage," said Levitz. "It's a new golden age for comics and DC's great characters, and I hope my new position will allow me to contribute to that magic time."
DC Comics will celebrate its 75th anniversary in 2010 (NEW FUN COMICS #1, the first DC comic, began publishing in 1935), at which time more explicit details regarding DC Entertainment's corporate and management structure, film and content release slate, creative roster and business objectives will be unveiled at a multi-faceted anniversary celebration and press conference in the first quarter of the year.
Current DC properties in development and/or production at Warner Bros. Entertainment include: -- "Human Target" is being produced by Warner Bros. Television for a mid-season debut on Fox.
-- "Midnight Mass" is in series development at Warner Bros. Television for consideration for the 2010-11 season.
-- "Jonah Hex," Warner Bros. Pictures' supernatural Western starring Josh Brolin, Megan Fox and John Malkovich, recently wrapped production in Louisiana.
-- "The Losers," Dark Castle/Warner Bros. Pictures' action-adventure drama starring Jeffrey Dean Morgan, Zoe Saldana and Chris Evans, began principal photography mid-July in Puerto Rico.
-- "The Green Lantern," Warner Bros. Pictures' next big superhero tentpole release, recently cast Ryan Reynolds as the titular character. The film has a projected second quarter 2011 release date.
-- "Lobo," based on the DC Comics anti-hero, has Guy Ritchie attached as a director; Joel Silver, Akiva Goldsman and Andrew Rona are producing for Silver Pictures and Warner Bros. Pictures.
-- Warner Premiere's direct-to-platform DVD animated release of "Green Lantern: First Flight" debuted July 28.
-- Warner Bros. Animation currently produces "Batman: The Brave and the Bold," which airs on Cartoon Network.
-- Warner Bros. Interactive Entertainment released "Batman: Arkham Asylum" on August 25, a dark, action packed videogame adventure for Xbox 360 videogame and entertainment system, PlayStation3 computer entertainment system and Games for Windows.
Prior to being named President, DC Entertainment, Nelson most recently served as President, Warner Premiere since its founding in 2006. Warner Premiere is a Studio-based production company which develops and produces high-quality, direct-to-DVD and short-form digital content, including the highly successful line of DC Universe animated DVD titles, and also pioneered the development of the motion comics category. Under Nelson's leadership, Warner Premiere functions as a full-service production entity with its own resources and release schedule, furthering the Studio's mandate of being a destination for both established and up-and-coming talent to create stand-alone properties as well as experiment in new media.
Before that, Nelson served as Executive Vice President, Global Brand Management, Warner Bros. Entertainment, with the primary responsibility of working cross-divisionally and throughout Time Warner to maximize and optimize all the various windows and outlets available to the Studio's signature franchises, brands and event properties on a global basis. In this post, Nelson's primary focus was the management of the Harry Potter brand, which she has overseen since the brand's launch at the Studio in 1999. These efforts have helped drive the success of the brand to become the most successful film franchise of all time, as well as a respected consumer property that has generated billions of dollars for the Studio. At Global Brand Management, Nelson and her team of more than 15 employees worked in all media and platforms to support a number of other key franchise properties, including "The Matrix Reloaded," "The Matrix Revolutions," "Batman Begins," "The Dark Knight," "Happy Feet," "Polar Express" and "Charlie and the Chocolate Factory," among others. Prior to overseeing Global Brand Management, Nelson had served as Executive Vice President, Domestic Marketing, Warner Bros. Pictures. Nelson rose quickly through the ranks, having also served as Senior Vice President, Domestic Marketing, Warner Bros. Pictures and prior to that, Senior Vice President, Family Entertainment, Warner Bros. Corporate Worldwide Marketing and Planning. She was also Vice President, Worldwide Corporate Promotions, a post to which she was promoted in March 1998, after joining the Studio in September 1996 as Director of Worldwide Corporate Promotions. Nelson came to the Studio from Walt Disney Records, where she served as Director of National Promotions. She is a graduate of Syracuse University's Newhouse School of Communications.
"IF IT DOESN'T EXIST...BUILD IT"
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- Troubleman245
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Replied by Troubleman245 on topic Re:OUT OF DC COMICS AND WARNER BRO'S.
I've heard this news awhile ago and it's great for the DC brand and Warner Bros. commitment to it but it doesn't really help Robotech. Matrix, Jonah Hex, & The Losers are all WB properties and RT is still owned by Harmony Gold. This would be relevant to Robotech if the propety was being sold to WB.
14 years 3 months ago
#13176
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- MaverickLSC
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Replied by MaverickLSC on topic Re:OUT OF DC COMICS AND WARNER BRO'S.
Well Warner Brothers will be touting their own primary franchises in this article, and not necessarily be promoting third party franchises that they do not own those outright but own the film and merchandising rights based on the film(s).
A good example is Harry Potter which along with Robotech is not owned by Warner Brothers. J. K. Rowling along with publisher Bloomsbury owns the rights to Harry Potter and sold the license to the movies to Warner Brothers. Speed Racer also falls into this category as well.
Noticed that Harry Potter is not mentioned in this article, but to my knowledge WB still has the option to produce more Harry Potter movies.
This article is nothing more than WB promoting the properties they own, it doesnt' necessarily say they arent' committed to making movies based on film rights they acquired from other property owners such as Bloomsbury, Harmony Gold and Tatsunoko which owns Speed Racer.
What indeed it hints at is their commitment to produce films based on successful comicbooks and other media. Third party franchises would seem to fall into this but to announce it would require preapproval from the primary owner(license holder) of the license and not Warner Brothers.
And that's why Robotech along with other third party franchises are not mentioned.
Mav...
A good example is Harry Potter which along with Robotech is not owned by Warner Brothers. J. K. Rowling along with publisher Bloomsbury owns the rights to Harry Potter and sold the license to the movies to Warner Brothers. Speed Racer also falls into this category as well.
Noticed that Harry Potter is not mentioned in this article, but to my knowledge WB still has the option to produce more Harry Potter movies.
This article is nothing more than WB promoting the properties they own, it doesnt' necessarily say they arent' committed to making movies based on film rights they acquired from other property owners such as Bloomsbury, Harmony Gold and Tatsunoko which owns Speed Racer.
What indeed it hints at is their commitment to produce films based on successful comicbooks and other media. Third party franchises would seem to fall into this but to announce it would require preapproval from the primary owner(license holder) of the license and not Warner Brothers.
And that's why Robotech along with other third party franchises are not mentioned.
Mav...
The Sergeant Hartman of Robotech.com
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- HashiNoUsagi
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Replied by HashiNoUsagi on topic Re:OUT OF DC COMICS AND WARNER BRO'S.
Kind of annoyed by the excessiveness of comic book based movies. Maybe that's because I see more popular or better comics being passed up for ones I don't see as appealing.
Hasn't done anything stupid enough to get banned from any forum.....yet.
14 years 3 months ago
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